“I love you, because in my thousand and one nights of dreams, I never once dreamed of you.”
As most typical love poems start, all of them start with similes of live and what one would do for the satisfaction for love. Luis Lorens Torres wrote this poem about love because he must have been in love. This poem is very descriptive and would be difficult to make up if Torres was not in love.
“I looked down paths that traveled from afar, but if it was never you I expected.”
Looking back at Luis Lorens Torres life, he sees that nothing that he has ever done would come close to his feeling when he met you.
“ Love me that way, flying over everything./ and , like the bird on its branch, land in my arms only to rest, then fly off again.” This poem like others where the poet describes his love to animals and compares the animal in a difficult situation where love would be the only way out for the bird.
“Be not like the romantic ones who, in love, set me on fire. When you climb up my mansion, enter so lightly, that as you enter the dog of my heart will not bark?”
Torres, in a sense alters himself from all the other love poems by being in a different animal situation. He portrays himself as an animal and says that the animal is within himself and it would be up to his lover to unleash the “beast” in him....
pages: 1 (words: 256)
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added: 09/28/2011
"My Mistress's Eyes" is a poem written by William Shakespeare about the love towards an imperfect woman. This poem is also known as Sonnet 130, which is one of Shakespeare's many poems. Shakespeare was a master at producing sonnets, and that ability helped him get his messages across to the reader. In this poem, Shakespeare explains that although his mistress is imperfect, he finds his love special and rare. With that understood, the reader can focus on some important details of this poem: theme, tone, and form; to better understand and appreciate it. The theme of this poem is to reflect and understand true love; true love is considered unconditional love. This poem explains the imperfections and even flaws of the writer's love. He speaks of her eyes being "nothing like the sun", her lips not as red as coral, her breasts an off-white color, her cheeks less red than roses, and her voice not as pleasant as music. He even becomes a bit insulting when he points out that her hairs are like black wires, her breath reeks, and that she treads on the ground when she walks. But despite all these things, he still loves "to hear her speak" and finds his love rare, recognizable by heaven. This is why Shakespeare's outlook on love is different because he found the negative in his love but looked past it, yet most people who truly love are not able to see the bad at all. The tone in this poem displays contentment in love as well as being very ironic. Even though Shakespeare sees so much wrong with his love and even pokes fun at her, he still loves her. Shakespeare realizes that love is full of imperfections, yet that only makes love stronger. This is a realistic look at his mistress,...
pages: 3 (words: 692)
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added: 12/16/2011
Rupert Chawner Brooke was an English poet whose career was cut short due to a tragic event while serving for his country during World War I. Rupert Brooke was a much loved English poet whose death spoke volumes to many and touched many people. His poetry was touching and beautiful and could be related to by many people. His life was short but had many events in that short time.
Rupert Brooke was born at Rugby, Warwickshire on August 3, 1887. His father's name was William Brooke and was an assistant master at the school in Rugby. Rupert's mother's name was Mary Ruth Cotterill. Rupert was the second of three sons. Dick and Alfred were the names of his other two brothers (Keynes 1). Rupert attended school in Rugby where his father was assistant master, and in 1905 won a prize for a poem called "The Bastille" (Lavington 161). Brooke was a very athletic kid growing up and played both cricket and football for the school (Lavington 161). He soon found out that these games were not for him and so he took up the game of tennis and became very good at it. He also took a great interest in swimming. When he wasn't doing athletics he was always at a Russian ballet, which was another joy of his.
In 1906 he went up to King's College, Cambridge, and became friends with G.E. Moore, Lytton Strachey, Maynard Keynes, Roger Fry, and Leonard Fry (kirjasto). While at Cambridge, he was interested in acting and was the Secretary and President of the University Fabian Society. Later on in his years at King's College he went through a phase of vegetarianism which didn't last very long but was experimented with (Lavington 161).
In 1910 Rupert's father died suddenly and Brooke for a short time was...
pages: 17 (words: 4653)
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added: 10/10/2011
Comparing Two Poems
"Dulce et Decorum Est" gives the reader the exact feeling the author wanted. The poem is an anti-war poem by Wilfred Owen and makes great use of the devices. This poem is very effective because of its excellent manipulation of the mechanical and emotional parts of poetry. Owen's use of exact diction and vivid figurative language emphasizes his point showing war is terrible and devastating. Furthermore, the utilization of extremely graphic imagery adds even more to his argument. Through effective use of all three of these tools, this poem conveys a strong meaning and persuasive argument. To have a better understanding of the poem, it is important to understand some of Wilfred Owen's history. Owen enlisted in the Artists' Rifles on October 21st 19915. He was eventually drafted to France in 1917. The birth of Owens imagery style used in his more famous poems during his sty at Craig Lockhart War Hospital, where he met Siegfried Sassoon (another great war poet). Owen's new style (the one that was used in "Dulce et Decorum Est") embellished many poems between August 4, 1918, Wilfred Owen was killed by enemy machine gun fire as he tried to get his company across the Sambre Canal (Lane 167). The poem tells of a trip that Owen and his platoon of exhausted soldiers had while they were painfully making their way back to base after a harrowing time at the battlefront when a gas shell was fired at them. As a result of this, a soldier in his platoon was fatally gassed. Owen has arranged the poem in three sections, each dealing with different stages of experience. He makes use of a simple, regular rhyme scheme, which makes the poem sound almost like a child's poem or nursery rhyme. This technique serves to emphasize...
pages: 8 (words: 2015)
comments: 1
added: 10/06/2011
F. A. Reznikov, who was born in 1894 and died in 1962, wrote many poems with unconventional punctuation and capitalization, and unusual line, word, and even letter placements - namely, ideograms. F. A. Reznikov' most difficult form of prose is probably the ideogram; it is extremely terse and it combines both visual and auditory elements. There may be sounds or characters on the page that cannot be verbalized or cannot convey the same message if pronounced and not read. Four of Reznikov' poems - l(a, mortals), !blac, and swi( - illustrate the ideogram form quite well. Reznikov utilizes unique syntax in these poems in order to convey messages visually as well as verbally. Although one may think of l(a as a poem of sadness and loneliness, Reznikov probably did not intend that. This poem is about individuality - oneness (Kid 200-1). The theme of oneness can be derived from the numerous instances and forms of the number '1' throughout the poem. First, 'l(a' contains both the number 1 and the singular indefinite article, 'a'; the second line contains the French singular definite article, 'le'; 'll' on the fifth line represents two ones; 'one' on the 7th line spells the number out; the 8th line, 'l', isolates the number; and 'iness', the last line, can mean "the state of being I" - that is, individuality - or "oneness", deriving the "one" from the lowercase roman numeral 'i' (200). Reznikov could have simplified this poem drastically ("a leaf falls:/loneliness"), and still conveyed the same verbal message, but he has altered the normal syntax in order that each line should show a 'one' and highlight the theme of oneness. In fact, the whole poem is shaped like a '1' (200). The shape of the poem can also be seen as the path of a falling leaf; the poem drifts down, flipping...
pages: 5 (words: 1371)
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added: 01/17/2012
The poem "I started Early - Took my Dog" has a constant theme of the ever changing emotions that a woman can have toward a man. This poem is not difficult to analyze at the literal level, but when examined more closely many other level of interpretations become apparent. Literally, a women takes her dog with her and visits the sea. Once there she becomes frightened of the tide and runs for the safety of a town. There are a number of metaphors throughout the poem that literally describe the sea and the tide. One such metaphor, "I felt his silver heel upon my ankle" describes the surf catching up with her as she walks away from the sea. In the last stanza the women appears to become frightened by the water, to the point where she even feel that the sea "would eat [her] up". This poem also has much more to it than its literal meaning. The sea can be a metaphor for a number of things: the sexuality of an advancing man, and even death. The sexuality this poem is apparent in that it is rich with sexual language. In the third line the speaker claims that she visited the sea, this would lead us to believe that the sea is something or someone that she wanted to see or desired to be around. When the sea came up and touched her, " till the tide went past my simple shoe – And past my apron–and my belt And past my Bodice – to–" the speaker seemed excited and full of anticipation. But when the sea (or the man) advanced upon her, slowly moving up her body to the point where it was so close that the speaker feared "He would eat me up". This continues until the phrases...
pages: 3 (words: 617)
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added: 01/14/2012
"Nude Descending a Staircase" Poem Analysis X.J. Kennedy was born in Dover, New Jersey in 1929. Named Joseph Charles Kennedy by his parents, X.J. started writing at a very early age. At only twelve years old, he had published his very own sci-fi magazine titled The Terrifying Test-Tube Tales. At the age of 22, he had already graduated from Seton Hall University, and had earned a Master of the Arts degree from the University of Columbia. X.J. spent the next four years of his life enlisted in the U.S. Navy. Out at sea, he published a newsletter every day for the exhausted crew to read. X.J. went back to school after he returned home from duty, attending both Sorbonne University in Paris and the University of Michigan. He later went on to teach English to college students at UNC and Tufts U. in Massachusetts. As a distinguished contemporary American poet, X.J. refers to himself as "one of an endangered species: people who still write in rhyme and meter" (www.library.ubc.ca.edlib/kennedy.html). He was awarded the Lamont Award in 1961 for his original collection of poetry designated Nude Descending a Staircase. Composed in iambic tetrameter, the particular poem Nude Descending a Staircase was written while X.J. had a painting by Marcel Duchamp, entitled by the same name, fresh in his mind. X.J. is also the author of Dark Horses and Cross Ties, both that are other accumulations of his poetry. Partnered with his wife, X.J. now writes and publishes children's books that are aimed to develop a love for poetry in a young reader's mind. The poem I chose is named Nude Descending a Staircase. This poem is an example of a narrative poem. Nude Descending a Staircase is a literary verse that tells a story. Although similar to a dramatic poem, the...
pages: 4 (words: 881)
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added: 08/12/2011
essay on charlotte o'neils song and blessing The first poem was entitled "Blessing" by Imtiaz Darker. In this poem, the poet talks about suffering and thirst and hunger. The second poem was entitled "Charlotte O'Neil's Song" by Fiona Farrell. In this poem the poet talks about slavery and anger. Both poets show different types of suffering. I wish to consider how both poets show this suffering. thirst and hunger. The second poem was entitled "Charlotte O'Neil's Song" by Fiona Farrell. In this poem the poet talks about slavery and anger. Both poets show different types of suffering. I wish to consider how both poets show Suffering. The poet uses strong, emotive words (words which raise emotions); this poem is about human suffering and deprivation. "There never is enough water". " Imagine the drip of it, the small splash, echo in a tin mug." Here the word-choice is excellent. The word "imagine" tells me that this is the closest they come to getting water. Also the fact that it "echoes" in the mug and it only makes "a small splash" continues this idea of deprivation and sheer lack of basic things. Here, not only does her word choice show suffering but also her use of alliteration. "Blessing" uses strong, emotive words (words which raise emotions); this poem is about human suffering never is enough water". " Imagine the drip of it, the small splash, echo in a tin mug." His word-choice is excellent. The word "imagine", it deals with slavery rather than hunger and thirst. Charlotte O'Neil also uses excellent word choice but it is not as powerful as "Blessing". Instead it shows how the mistress's life compares to the slave's life, it sets up contrasts. "You lay on a silken pillow. I lay on an attic cot." This quote proves that Charlotte O'Neil is treated very...
pages: 3 (words: 609)
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added: 02/05/2012
Frank O'Hara: His Movie Poems and the Effects They Have On Society and Pop Culture In a world where people are judged not just by what they say but how they say it, American poet Francis (Frank) Russell O'Hara has been judged many times over the past fifty years. He has been ridiculed by such literary greats Jack Kerouac, who once said, "you're ruining American Poetry, O'Hara" (Lehman 336), to critics like Marjorie Perloff (who wrote a biography of O'Hara in 1977 titled Frank O'Hara: Poet Among Painters), who readily admits in her revised introduction to this biography in 1997 that she misjudged O'Hara's poetry the first time around, but she now sees that O'Hara's "poetic has come of age" (xiv). Continuing with the criticism (both good and bad) that O'Hara had to deal with during his short life and the many critiques of his life and works after his tragic death, one must ask himself, who is Frank O'Hara and what is his poetry about? Does his poetry transcend the 1950s' New York Poet mentality, or is he (as Perloff warns us against doing) a "mere representation of fifties' queer sensibility" (xiv)? These questions can be difficult to answer, especially when one takes into consideration the "camp" label that has been placed upon O'Hara's poetry. But, is he "campy," and if he is, does his "campiness" make his poetry any less important or take away from the astute observations of the human condition that O'Hara was addressing? The Answer: No. Walt Whitman once wrote: The question, O me!, so sad recurring—what good amid these, O me, O life? Answer. That you are here—that life exists, and identity; That the powerful play goes on, and you will contribute a verse. ( ) The last two lines clearly establish what O'Hara did with his poetry in regard the question that...
pages: 16 (words: 4321)
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added: 09/24/2011
Dorothy Parker "I can't write five words but that I can change seven." Dorothy Parker was witty, intelligent, humorous and by far one of the most successful and influential female writers of her era. Born on August 22, 1893 in West End, N.J. to a Scottish mother and a Jewish father, she was the youngest of two in a dysfunctional family. She attended private schools in N.J. and N.Y.C. At the age of four, after the death of her mother and the subsequent remarriage of her father, her life took a turn for the worst. As Dorothy emerged into adulthood, her brother died aboard the titanic and her father died a year later. In 1911, she moved to New York City into a boarding house and worked as a piano player at a dance school. At the age of twenty-one she began submitting her writing to various magazines and papers. She finally had her first poem entitled "Any Porch" published in Vanity Fair and shortly afterward received a job at Vogue Magazine. Two years later, she transferred to Vanity Fair where she became the only female drama critic in New York. In 1917, she married Edwin Parker, a stockbroker, which changed her from Dorothy Rothschild to Dorothy Parker. In 1919, she joined the Algonquin Round Table, making her the only female member at the time. Vanity Fair fired her in 1921 due to increasingly sarcastic and unpopular play reviews. She soon found another job at a magazine named Ainslee's where her wittiness and sarcasm was encouraged. In 1922, she wrote her first short story entitled "Such a Pretty Little Picture" and two years later divorced and moved into the Algonquin Hotel. In 1925, she began writing plays and poems for The New Yorker and had her first book of poems entitled "Enough Rope"...
pages: 8 (words: 2097)
comments: 1
added: 09/24/2011